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DTSTART;VALUE=DATE:20221027
DTEND;VALUE=DATE:20221030
DTSTAMP:20260410T172852
CREATED:20221006T140723Z
LAST-MODIFIED:20221029T162814Z
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SUMMARY:The Exorcist: An Operetta
DESCRIPTION:BUY TICKETS\n  \nOctober 27th – 7:30 PM ($25)\nOctober 28th – 7:30 PM ($25)\nOctober 29th – 7:30 PM ($25) \nEli Pasic presents a one-man version of his newest comedy\, The Exorcist: An Operetta! A tongue-in-cheek variation of the 1970s horror classic\, Eli Pasic will render the tale by way of narration\, dialogue\, and song! Don’t miss a tuneful jaunt through this dazzling portal to hell! You’ll be possessed with laughter from start to finish! \nEli studied piano and composition at Berklee College of Music and was mentored by Broadway orchestrator Larry Blank (The Producers\, The Drowsy Chaperone). He’s written a musical comedy with composer Henry Krieger (Dreamgirls\, Side Show)\, which has been published by Broadway Licensing. For more details\, visit www.elipasic.com.
URL:https://on.cmccanada.org/event/the-exorcist-an-operetta/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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DTSTART;TZID=America/Halifax:20221019T173000
DTEND;TZID=America/Halifax:20221019T213000
DTSTAMP:20260410T172852
CREATED:20221006T151415Z
LAST-MODIFIED:20221012T205235Z
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SUMMARY:Rivers Workshop: ContaQt - Online Rehearsal and Collaboration
DESCRIPTION:The Canadian Music Centre\, in collaboration with the Canadian League of Composers\, is pleased to announce Rivers (re-imagined): a monthly series of presentations and hands-on professional development workshops for composers. \nThese will be in-person events at the Canadian Music Centre’s Performance Space in Toronto\, and they will be available for online streaming to ensure access for composers right across the country. Topics will include: grants\, funding\, and project management; contracts and licensing agreements; publicity and marketing; music technology; music education\, and others. \nThe workshops will provide concrete guidance and clear\, hands-on training for common professional scenarios encountered by the membership of both organizations\, and they will be free to both Associate Composers of the CMC\, as well as members of the CLC. \n———————————————————————————————————————————– \nOur first presentation/workshop will take place on Wednesday\, October 19\, 2022\, at 5:30. Members of ContaQt New Music will discuss and demonstrate the aesthetic and technical elements of online rehearsal and collaboration. \nLike many ensembles at the onset of the initial pandemic lockdowns\, ContaQt was faced with discovering new ways to musically engage with each other and audiences. Led by the research and experimentation of Jerry Pergolesi and Andrew Noseworthy\, and with technological facilitation by Jeff Morton\, and online performance mentoring with Tina Pearson\, we developed a means to play together in real-time from our isolated locations using a combination of digital audio workstations and the audio transmitter plugin\, AudioMovers’ ListenTo. \nThrough this process\, we became more integrated as a performing group than ever before and extended our artistic practice in ways that benefited our expanding repertoire that includes music by Brian Eno\, original compositions\, and improvisations. This music also embraces and engages with latency that is inherent to the internet. This workshop will demonstrate the potential for this performance practice and the possibilities for collaboration using this high-fidelity means of audio transmission.
URL:https://on.cmccanada.org/event/rivers-workshop-contaqt-online-rehearsal-and-collaboration/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221004T193000
DTEND;TZID=UTC:20221004T213000
DTSTAMP:20260410T172852
CREATED:20220926T174838Z
LAST-MODIFIED:20220926T175019Z
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SUMMARY:NOTES TO THE UNFORGOTTEN
DESCRIPTION:General admission: $20.00\nStudent admission (with valid ID): $10.00\n \nDescription: Piano Lunaire honours those who have been lost to the COVID-19 pandemic\, and those who continue to suffer with illness. Join us in Toronto\, on Tuesday\, October 4th at 7:30pm (at the Canadian Music Centre). The programme is highlighted by the work of rising star associate composer\, Liam Ritz. His Nine Forgotten Variations for solo piano were commissioned by Piano Lunaire and the Brantford Music Club in 2021 with support from the Ontario Arts Council; we are thrilled to finally premiere this exquisite new work for keyboard. Also on the programme: piano music from the traditional canon alongside Adam Sherkin’s Aubades in Memoriam\, featuring music dedicated to long-time patrons and supporters of PL who passed away during the COVID-19 pandemic. \n \nNote: This is a repeat of our Fall Gala performance\, held at the Art Gallery of Hamilton on Sunday\, October 2\, 2022 at 3:00pm.
URL:https://on.cmccanada.org/event/notes-to-the-unforgotten/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220929T193000
DTEND;TZID=America/Toronto:20220929T210000
DTSTAMP:20260410T172852
CREATED:20220811T151646Z
LAST-MODIFIED:20220831T150526Z
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SUMMARY:SHHH!! Ensemble Album Launch: Meanwhile
DESCRIPTION:September 29\, 7:30 pm \nSHHH!! Ensemble Album Launch: Meanwhile\nJoin SHHH!! Ensemble and celebrate the release of their debut album “Meanwhile”\, featuring electrifying new music for piano and percussion by some of Canada’s most creative voices. \nSHHH!!… a powerful utterance designed to draw attention forward… creating space and awareness… opening ears to something important. \nPercussionist Zac Pulak and pianist Edana Higham\, the two members of the duo SHHH!! Ensemble\, have carved a space for themselves as compelling performers\, collaborators\, and commissioners of electrifying new music. They have toured across  Canada\, performing works written for them by both established and emerging composers. A keen taste for experimentation and discovery has guided their “avant-accessible” projects\, which they have workshopped at the Banff Centre for Arts and Creativity\, the Lunenburg Academy of Music Performance\, and the Canadian Music Centre\, leading to feature performances at the Tuckamore Festival\, Ottawa Chamberfest\, Open Ears Festival of Music and Sound\, the National Arts Centre #CanadaPerforms series\, and a live-for-broadcast performance on the CBC Radio 2 program “In Concert.” Upcoming projects include the world premiere of Machines\, Mannequins\, and Monsters\, a new double concerto written for them by Kelly-Marie Murphy\, with the Winnipeg Symphony Orchestra. Additionally\, as co-artistic directors of the Ottawa New Music Creators\, Zac and Edana enjoy curating performances by leading Canadian and international artists in their home base of Ottawa\, Ontario. \nTickets : $20
URL:https://on.cmccanada.org/event/shhh-ensemble-album-launch-meanwhile/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220917T200000
DTEND;TZID=UTC:20220917T230000
DTSTAMP:20260410T172852
CREATED:20220909T142819Z
LAST-MODIFIED:20220912T145749Z
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SUMMARY:Ro
DESCRIPTION:Cheryl Duvall in partnership with the Canadian Music Centre:\nRO\nWorld Premiere Performance\nWritten by Daryl Jamieson\nPerformed and Commissioned by Cheryl Duvall – piano \nRo – which can be literally translated as ‘dewdrop’ – is inspired by Daryl’s reading of Konparu Zenchiku’s theoretical writings on nō theatre\, and his vision of art (especially\, for him\, poetry\, music\, dance and theatre) as a spiritual experience which can reshape our understanding of – and ways of being in – the world.\n\nPerformance time – 75 minutes\nTickets: $20 regular/$15 Arts Worker\, Senior and Student \nClick Here to Watch the Live Stream
URL:https://on.cmccanada.org/event/ro/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220909T170000
DTEND;TZID=America/Toronto:20220909T183000
DTSTAMP:20260410T172852
CREATED:20220823T151351Z
LAST-MODIFIED:20220901T174149Z
UID:2458-1662742800-1662748200@on.cmccanada.org
SUMMARY:Book Launch: John Beckwith - Music Annals
DESCRIPTION:Book Launch: John Beckwith – Music Annals\nClick Here to Reserve Your Ticket \nJoin us for the launch of the composer and writer John Beckwith’s 17th book\, Music Annals. In this collection of 46 articles written over a period of some 41 years\, Beckwith displays insatiable curiosity\, sharp critical skills\, a gracious literary style\, and a boundless knowledge of music. Music Annals is a sequel to Beckwith’s well received and much praised earlier book Music Papers: Articles and Talks by a Canadian Composer 1961–1994 (Ottawa\, 1997)\, and is being published in celebration of the author’s 95th birthday earlier this year. The launch takes place at the Canadian Music Centre\, 20 St. Joseph Street\, on Friday\, September 9th at 5:00 pm. \nPerformances of two works by John Beckwith will also be heard at the launch: \n\nMeanwhile for percussion and piano\n\nSHHH!! ensemble\n\n\nChapters and Verse for two equal sopranos and viola\, text by Paul Dutton\n\nCaitlin Wood\, Sara Schabas\, sopranos; Rory McLeod\, viola\n\n\n\nCopies of the book will be available at the launch for the special reduced price of $10 each.
URL:https://on.cmccanada.org/event/book-launch-john-beckwith-music-annals/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220708T200000
DTEND;TZID=UTC:20220708T210000
DTSTAMP:20260410T172852
CREATED:20220622T152502Z
LAST-MODIFIED:20220705T154341Z
UID:2406-1657310400-1657314000@on.cmccanada.org
SUMMARY:small\, like the wren
DESCRIPTION:Cheryl Duvall in partnership with the Canadian Music Centre:\nsmall\, like the wren\nWorld Premiere Performance\nWritten by Anna Höstman\nPerformed and Commissioned by Cheryl Duvall – piano \nIn October 2019\, Cheryl Duvall commissioned 7 Canadian composers to write hour long works for a large scale commissioning project. This is the first premiere from this set of new works.\nCommissioned with the generous support of the Canada Council for the Arts. \nPerformance time – 1 hour. \nTickets: $20 regular/$15 Arts Worker\, Senior and Student \nClick Here to Watch the Live Stream
URL:https://on.cmccanada.org/event/small-like-the-wren/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220707T193000
DTEND;TZID=UTC:20220707T210000
DTSTAMP:20260410T172852
CREATED:20220616T213408Z
LAST-MODIFIED:20220616T213408Z
UID:2399-1657222200-1657227600@on.cmccanada.org
SUMMARY:These are a Few of Our Favourite Bees - Artists Talk
DESCRIPTION:These are a Few of Our Favourite Bees investigates wild\, native bees and their ecology through playful dioramas\, video\, audio\, relief print and poetry. Inspired by lambe lambe – South American miniature puppet stages for a single viewer – four distinct dioramas convey surreal yet enlightening worlds where bees lounge in cozy environs\, animals watch educational films and ethereal sounds animate bowls of berries (having been pollinated by their diverse bee visitors). Displays reminiscent of natural history museums invite close inspection\, revealing minutiae of these tiny\, diverse animals\, our native bees. From thumb-sized to extremely tiny\, fuzzy to hairless\, black\, yellow\, red or emerald green\, each native bee tells a story while her actions create the fruits of pollination\, reflecting the perpetual dance of animals\, plants and planet. With a special appearance by Toronto’s official bee\, the jewelled green sweat bee\, Agapostemon virescens! \nIn this Artist Talk\, Sarah Peebles\, Ele Willoughby\, Rob Cruickshank and Steven Humphrey will discuss their artistic practices and themes related to the exhibition. \nStreaming Link
URL:https://on.cmccanada.org/event/these-are-a-few-of-our-favourite-bees-artists-talk/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220626T120000
DTEND;TZID=UTC:20220626T133000
DTSTAMP:20260410T172852
CREATED:20220609T183843Z
LAST-MODIFIED:20220617T160053Z
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SUMMARY:Greg Bruce - Workshop: Embrace Lofi!
DESCRIPTION:Embrace Lofi! Cassette Tapes and Creative Practice \nIn this workshop\, post-digital saxophonist Greg Bruce will discuss his philosophy surrounding cassette tapes and demonstrate how he uses them in his musical practice. Greg will begin by discussing how we can think about physical electronic media and the importance of materiality in music making. Following this\, he will cover the fundamentals of cassette tapes: the glory of wow and flutter\, the differences between cassette types\, and what tapes\, players\, and recorders to look out for (among other topics). \nNext\, Greg will demonstrate the wide range of creative uses for a simple cassette recorder. This portion of the workshop will show participants how to make several types of tape loops and demonstrate various recording and playback techniques. All the equipment and materials required for this practice are intended to be affordable and easy to find\, whether buying new or thrifting\, so that participants can easily try this DIY\, lofi practice at home. \nStreaming link
URL:https://on.cmccanada.org/event/greg-bruce-workshop-embrace-lofi/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents,Ontario
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220605T190000
DTEND;TZID=America/Toronto:20220605T230000
DTSTAMP:20260410T172852
CREATED:20220602T135035Z
LAST-MODIFIED:20220604T024256Z
UID:2385-1654455600-1654470000@on.cmccanada.org
SUMMARY:Evergreen Club Contemporary Gamelan Symposium
DESCRIPTION:An online event hosted by the Canadian Music Centre and Arraymusic\, featuring scholars and practitioners from Indonesia\, Canada\, and the USA. The two online panels will explore these topics on Sunday\, June 5 (June 6 in Indonesia). You are welcome to join in the discussion.\n \nOVERVIEW \n\nIn the 133 years since Claude Debussy\, Maurice Ravel – among many thousands of other Europeans – first encountered Sundanese gamelan\, wayang\, angklung and dance at the 1889 Paris Exposition Universelle\, the diverse musics of Indonesia has fascinated Western musicians. It was the excitement of first discovering Balinese gamelan music 78 RPM discs that inspired Canadian pianist\, composer and researcher Colin McPhee to move to Bali in the 1930s. His pioneering work has inspired many others to study and more recently to perform on gamelan.Around 1960 gamelan courses began to be offered in universities in the US\, and in Canada on the heels of Expo ’86 Vancouver the site of the First International Gamelan Festival and Symposium. These developments had several long-term impacts on a small cadre of American composers. It provided them hands-on opportunities to learn these musical cultures\, as well as serving to embed composers and performers from various Indonesian regions in American academic and artistic circles.The first gamelan group in the country\, Evergreen Club Contemporary Gamelan (ECCG) has pioneered a Canadian approach to exploring hybrid links between post-classical and world music. Founded in 1983\, this professional eight-musician Toronto cooperative plays its own bespoke West Javanese-style degung. Its mandate includes commissioning new works by Canadian and international composers\, as well as presenting new interpretations of Sundanese music. ECCG has a long history of inviting Sundanese and Javanese musicians\, composers\, puppeteers and dancers to work with the group live and in the recording studio. In 2002 ECCG toured three cities in Java with a Toronto-based modern dance company performing and engaging in workshops. What ethical issues arise in such cultural and professional interactions? For example\, what is ECCG’s relationship to Toronto’s Indonesian community and to musicians and music scenes in Indonesia? What do Indonesian musicians think of ECCG and other “outsider” groups playing various types of gamelan? What are the many-facetted implications of playing – and creating gamelan music – outside its region of origin?Jointly organized by ECCG\, Arraymusic\, and the Canadian Music Centre\, this online symposium will begin to engage these questions and explore the broader context of Evergreen’s pioneering work. Featuring practitioners and scholars from Indonesia\, Canada and the USA\, this symposium seeks to plumb the current state of international gamelan music creation today and in the future. \n\n  \n\n\nSCHEDULE \n\n\nJune 5th 7:00pm to 8:30pm EDT – 4:00pm to 5:30 pm PDT – June 6th 7:00am to 8:30am WITA \n\n\nRoots and Offshoots – Gamelan in contemporary Indonesian music \n\n\nLINK \n\n\nPanelists: \n\n\n\nArya Deva Suryanegara (Bali/Canada)\, composer\, performer – Université de Montreal\nIwan Gunawan (West Java) composer\, musician\, music educator\, gamelan leader – Universitas Pendidikan Indonesia\, Bandung\nSutrisnoHartana (Central Java/Canada)\, composer\, musician\, music educator\, researcher – Simon Fraser University\nPutuHiranmayena (Bali/United States)\, composer\, musician\, musicologist – Grinnell College\nModerator: Jody Diamond\, American Gamelan Institute\n\n\n\n\n8:30pm EST to 9:00pm EST – Break\n\n\n\nJune 5th 9:00pm to 10:30pm EDT – 6:00pm to 7:30 pm PDT – June 6th 9:00am to 10:30am WITA \n\n\nLost in Translation? When instruments and music are taken out of their cultural contexts. \n\n\nLINK \n\n\nPanelists: \n\n\n\nLeslie Tilley (Canada/United States)\, ethnomusicologist\, music analyst – Massachussets Institute of Technology\nIwan Gunawan (West Java) composer\, musician\, music educator\, gamelan leader – Universitas Pendidikan Indonesia\, Bandung\nCurtis Andrews (Canada)\, composer\, musician\, ethnomusicologist\nJuro Kim Feliz (Phillipines/Canada)\, composer\nModerator: Menon Dwarka\, Arts Consulting Group
URL:https://on.cmccanada.org/event/evergreen-club-contemporary-gamelan-symposium/
LOCATION:ON
CATEGORIES:Ontario
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DTSTART;TZID=UTC:20220602T120000
DTEND;TZID=UTC:20220602T130000
DTSTAMP:20260410T172852
CREATED:20220512T195228Z
LAST-MODIFIED:20220512T195228Z
UID:2363-1654171200-1654174800@on.cmccanada.org
SUMMARY:Labyrinth Ontario - Panel Discussion: Modal Composition
DESCRIPTION:Ross Daly and Araz Salek\, both frequently composing in and across various modal traditions\, discuss modal music composition\, the utilization of determined modal idioms in new compositions\, and what is required of a composer work creatively across modalities.\nHosted by Labyrinth Ontario and the Canadian Music Centre\, Ontario Region; this event will be livestreamed.\nPanel Discussion: Modal Composition | Facebook
URL:https://on.cmccanada.org/event/labyrinth-ontario-panel-discussion-modal-composition/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario,Region
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ORGANIZER;CN="Labyrinth Ontario":MAILTO:yang@labyrinthontario.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220601T120000
DTEND;TZID=UTC:20220601T130000
DTSTAMP:20260410T172852
CREATED:20220512T194845Z
LAST-MODIFIED:20220512T195330Z
UID:2359-1654084800-1654088400@on.cmccanada.org
SUMMARY:Labyrinth Ontario - Panel Discussion: Rhythm
DESCRIPTION:In this panel discussion\, Pedram Khavarzamini and Yang Chen discuss rhythmic priorities\, sense of groove\, and a percussionist’s role across genres and styles of music!\nThrough an examination of Pedram’s tombak exercise books and solos\, Pedram and Yang will also discuss rhythmic pedagogy.\n\nHosted by Labyrinth Ontario and the Canadian Music Centre\, Ontario Region; this event will be livestreamed.\nPanel Discussion: Rhythm | Facebook
URL:https://on.cmccanada.org/event/labyrinth-ontario-panel-discussion-rhythm/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
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ORGANIZER;CN="Labyrinth Ontario":MAILTO:yang@labyrinthontario.com
GEO:43.6659985;-79.386411
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Chalmers Performance Space 20 St. Joseph Street Toronto ON M4Y 1J9 Canada;X-APPLE-RADIUS=500;X-TITLE=20 St. Joseph Street:geo:-79.386411,43.6659985
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220407T200000
DTEND;TZID=America/Toronto:20220407T210000
DTSTAMP:20260410T172852
CREATED:20201103T220106Z
LAST-MODIFIED:20220404T134731Z
UID:1874-1649361600-1649365200@on.cmccanada.org
SUMMARY:Reimagining
DESCRIPTION:Reimagining | a concert of new works for accordion & clarinet \nThe culmination of a multi-year project sees Joseph Petric (accordion) and Martin Carpentier (clarinet) perform new duo works developed by an international roster of composers. New relationships\, formed in the creation of each piece\, serve to refract and re-imagine their instruments\, their role\, function\, contexts and interpretive possibilities. The programme will hint at ambiguity\, vulnerability\, and fresh artistic perspectives offered by the confounding of expectation. \nBoth Petric and Carpentier have pursued careers as champions of process\, challenging orthodoxies while embracing the nexus of memory\, aesthetics\, and understanding achieved through their performance practice. \nHere reimagining is a renewal of process\, embedded within each new creation. \nThis concert will be presented as a livestream. Audiences can join through the CMC livestream event\, on this page \nConcert Programme | \nTransonique\, Gabriel Mălăncioiu – ROM \nBiarc\, Kathryn Knowles – CAD \nfoxred\, Daryl Jamieson – CAD/JAP \nmás tranquila (for pauline)\, D. Edward Davis – USA \nKinamulaìtan\, Juro Kim Feliz – PP/CAD \nMore about the programme | Juro Kim Feliz (PP-CAD) offers a traditional\, almost modernist rigour in the writing\, yet confounds expectation with lyricism\, and warm textural soundscapes; Gabriel Mălăncioiu (ROM)  offers an Eastern European perspective of the clarinet and accordion tinged with Stravinskian impulses; Kathryn Knowles  (CAD) offers a work which confounds expectation with episodic excursions; Edward Davis (USA) draws on the Conjunto accordion tradition with warmth and episodic declarations\, tinged by (and dedicated to) Pauline Oliveros’ Deep Listening traditions; Daryl Jamieson (JAP-CAD) delivers a transparent and ethereal work that triggers internalized and ritualized spaces. \nTechnical Personnel | \n\nAudio recording\, Peter Lutek \nGraphics\, Nigel Baines \n\n\nPerformer Biographies \nJoseph Petric\, photo credit: Bo Huang  \nJoseph Petric |Joseph Petric’s staunchly individualistic approach as concert and recording artist has drawn return engagements to Asia\, Europe\, Scandinavia\, United Kingdom\, the former Soviet bloc\, North America and the Middle East. Maintaining an active concert and recording schedule he has appeared as a soloist at major venues such as Seiji Ozawa Hall\, BBC Radio3\, Washington’s Kennedy Center\, the Berlin Philharmonic\, and at international festivals London Southbank\, IRCAM Agora\, Tanglewood\, and Berlin Philharmonic Chamber Festival. His work onstage has been met with acclaim in key publications such as the London Independent\, Washington Post\, New York Times\, and Berliner Tage. \nPetric’s penchant for collaborating with living composers has yielded generous financial support from the Koussevitsky Foundation\, Swedish Reikskonzerter\, the Laidlaw Foundation\, Canada Council for the Arts\, and the Canadian Broadcasting Corporation among others\, resulting in more than 350 commissions (including 20 concertos) and a discography of 40 titles. \nPetric is also a devoted pedagogue and\, in addition to providing specialized mentorship to a global roster of private students\, he remains a sought-after guest for international masterclasses and lectures. This dimension of his practice also extends into the realm of writing. His recent works\, which bridge the musicological\, historical and personal\, have been published by Germany’s Augemus Press. \nMartin Carpentier\, photo credit: Michaël Esterez  \nMartin Carpentier |Martin Carpentier earned his Bachelor’s in Clarinet Performance\, magna cum laude\, from McGill University\, where he studied with Emilio Iacurto. He went on to serve as Principal Clarinet with the Orchestre des jeunes du Québec. After studying under Karl Leister (Principal Clarinet with the Berlin Philharmonic Orchestra) in 1992 and subsequently obtained his Master’s Degree in Performance from the Université de Montréal\, under the supervision of André Moisan.A highly sought-after clarinetist\, Martin Carpentier is a member of Nouvel Ensemble Moderne (NEM) and of Pentaèdre. He also performs regularly with the Orchestre Métropolitain\, Les Grands Ballets Canadiens\, the Opéra de Montréal\, Les Violons du Roy and I Musici de Montréal\, and has recorded CDs with Société des vents de Montréal\, Pentaèdre and NEM. Martin teaches clarinet at the Université du Québec à Montréal (UQÀM)\, the Université de Montréal and at Collège Vincent-d’Indy. \nComposer Biographies \n \nGabriel Mălăncioiu |The coexistence of intuition and reason in the formation of the composer Gabriel Mălăncioiu (born in 1979 in Brașov) is due to the graduation of both the Faculty of Automatics and Computers and the Faculty of Music and Theater from Timișoara. In addition to the decisive influence of Maestro Remus Georgescu – the one who initiated him in the study of musical composition\, during his master's and doctoral studies at the Gheorghe Dima National Academy of Music in Cluj-Napoca\, he met important personalities such as Cornel Ţăranu\, Adrian Pop\, Valentin Timaru and Eduard Tereny. \nGabriel Mălăncioiu's music has been presented to audiences on five continents in over 270 concerts\, performed by prestigious ensembles such as Neue Vocalsolisten Stuttgart\, the Slovenian Chamber Choir or the Aventure ensemble\, by performers such as Florian Mueller\, Gudrun Hinze or Richard Craig\, by conductors such as Michael Wendeberg\, Huba Hollókői or Martina Batič. Composer Corneliu Dan Georgescu remarked that Gabriel Mălăncioiu is "one of the most active personalities\, a confident and very original voice in the contemporary musical landscape". His scores are published by Universal Edition. \nGabriel Mălăncioiu is a member of the Union of Romanian Composers and Musicologists\, of the Executive Committee of ISCM – Romanian section – and of some international music organizations such as Vox Novus (USA)\, La Villa des Compositeurs (France/Italy)\, Temp'ora (France)\, Access Contemporary Music (USA)\, Society of Composers (USA). Gabriel Mălăncioiu is currently teaching Modern composition techniques\, Orchestration and Musical Analysis at the West University of Timişoara\, Faculty of Music and Theater. \nKathryn Knowles | Kathryn Knowles is a composer\, cellist\, conductor\, and writer from Inverary\, Ontario and currently based in Toronto\, Ontario. Her musical works have been played in workshops by the Toronto Symphony Orchestra\, the New Orford String Quartet\, and the Penderecki String Quartet.  \nKathryn is interested in multidisciplinary artistic exchange\, and in exploring the creative process. She holds a Bachelor of Music and a Master of International Business from Queen's University\, as well as a Master in Music Composition from the University of Toronto where she was awarded the Joseph Armand Bombardier Canadian Graduate Scholarship. During her time at U of T\, Kathryn initiated and led the creation of an annual interdisciplinary conference to showcase artistic creation-based research known as the Multidisciplinary Creative Conference.  \nIn addition to her work as a composer and writer\, Kathryn is a Centre Director with Sistema Toronto\, the Music Director of Music4Life String Orchestra\, and the Founder of Mad Endeavour. Kathryn is a strong advocate for the accessibility and appreciation of music and art in today's society and she values the constant pursuit and celebration of knowledge.  \nDaryl Jamieson | Daryl Jamieson (b.1980) is from Halifax\, Nova Scotia. He studied at Wilfrid Laurier University with Glenn Buhr and Linda Catlin Smith\, the Guildhall School of Music and Drama with Diana Burrell\, and then with Nicola LeFanu at the University of York. He has lived in Japan since 2006\, first studying under Jo Kondo at the Tokyo University of the Arts. He is currently an assistant professor of composition at Kyushu University\, and his music is published by Da Vinci Edition\, Osaka\, and the Canadian Music Centre. \nJamieson's work explores time and place\, and is heavily influenced by nō theatre and Japanese poetry. One of his largest works is a trilogy of musical theatre pieces called the Vanitas \nSeries\, which received the 2018 Toshi Ichiyanagi Contemporary Prize. In his citation\, Ichiyanagi called the Vanitas Series 'an epic musical work of extraordinarily elegance and contemporary topical perspective'. Jamieson's other pieces include solo\, chamber and orchestral works\, and many songs. Since 2016 he has begun to incorporate field recordings and site-specific projects into his work\, particularly in his ongoing utamakura and Decants series. His music has been performed around the world by many artists\, including the Quatuor Bozzini\, the Thin Edge New Music Collective\, Muromachi Ensemble\, and Satoko Inoue. \nHe founded the intercultural musical theatre company Atelier Jaku in 2013. He is also active as a researcher\, writing on aesthetics of the Kyoto School and Buddhist philosophy\, as well as contemporary music and spirituality. He has received grants and awards from the Canada Council for the Arts\, among others. \n \nD. Edward Davis |D. Edward Davis is a composer whose work engages with the sounds of the environment\, exploring processes\, patterns\, and systems inspired by nature. His pieces have recently been presented at the CEMIcircles Festival of Experimental Music and Intermedia in Denton\, TX (2019)\, the Boston Microtonal Society (2018)\, the Third Practice Electroacoustic Music Festival in Richmond\, VA (2017)\, the EcoSono Environmental Music and Sound Art Festival in Anchorage\, AK (2017)\, and the Clark Art Institute in Williamstown\, MA (2016). His work has been performed by F-PLUS\, a.pe.ri.od.ic\, Polyorchard\, [Switch~ Ensemble]\, Verdant Vibes\, Occasional Symphony\, No Exit New Music\, Musica Nova\, Callithumpian Consort\, and many othe \nrs. Davis holds degrees in composition from Duke University\, Brooklyn College\, and Northwestern University. His former teachers include Antoine Beuger\, John Supko\, Amnon Wolman\, David Grubbs\, Amy Williams\, and Michael Pisaro. Davis currently lives in New Haven\, CT\, where he teaches at the University of New Haven. \nJuro Kim Feliz |With music "[thriving] in the sustained tension\, like the kinetic energy emanating from the corners of a frame\, the opposing forces holding up a house" (Rachel Chiong\, 2022)\, Toronto-based composer Juro Kim Feliz has presented his work across Southeast Asia\, North America\, and Europe. Born in the Philippines\, he studied composition at the University of the Philippines and McGill University under Jonas Baes and Melissa Hui. Other mentors include composers Liza Lim\, Linda Catlin Smith\, and Japanese koto artists Hiroko Nagai and Masayo Ishigure. Since winning the Goethe Southeast Asian Young Composer Award (2009)\, Feliz received commissions and performances from artists including Continuum Contemporary Music\, Liminar\, Thin Edge New Music Collective\, Ensemble x.y\, Marilène Provencher-Leduc\, Wesley Shen\, and Renee Fajardo. He received a "Highly Commended" distinction award for Hanggang sa Paglubog ng Araw at the Ars \nElectronica Forum Wallis (2018) and was nominated for the "Excellence Award in Music and Entertainment" at the Golden Balangay Awards (2019) in Canada. Commercial releases include Gandingan sa Kagiliran in the compilation album "Millennial Masters Vol. 7" (Ablaze Records\, 2017) and Hanggang sa Takipsilim in "Mind & Machine Vol. 4" (Ravello Records\, 2022).
URL:https://on.cmccanada.org/event/reimagining/
LOCATION:ON
CATEGORIES:Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220305T200000
DTEND;TZID=America/Toronto:20220305T220000
DTSTAMP:20260410T172852
CREATED:20220211T153610Z
LAST-MODIFIED:20220301T230615Z
UID:2308-1646510400-1646517600@on.cmccanada.org
SUMMARY:Chris Pruden's Suns
DESCRIPTION:Suns is a set of solo piano improvisations and compositions performed by Toronto pianist Chris Pruden. \nWhile already recognized as a notable Canadian pianist/keyboardist in several projects (Tara Kannangara\, Sammy Jackson\, Zinnia\, Future Machines\, Language Arts)\, this is the first release under his own name. \nSuns\, released on Elastic Recordings\, is refreshingly informal\, recorded amongst friends\, documenting unfinished thoughts and new reflections in the moments they arrive and depart. Pruden exhibits technical and musical control that is always on the edge\, tumbling through insecurities and surrendering to the sound of the moment. It is both meditative and frenetic\, playful and serious\, vulnerable and resilient. \nThe seven pieces take influences from the music of György Ligeti\, Sun Ra\, Cecil Taylor\, Unsuk Chin\, Ann Southam\, and Elliott Carter (whose piano piece Catenaires is featured as a final track). \nThe album launch will feature a performance from Chris\, and a set of music from Yunjin Claire Lee. The event will be live streamed. No tickets will be made available publicly. \n\n\n\nChris Pruden Bio & Music \nChris Pruden is a pianist/keyboardist based in Toronto\, ON. Heavily influenced by jazz\, contemporary classical\, folk\, rock and electronic music\, Chris has performed across North America\, China\, and Europe. He is a frequent sideman and collaborator with Tara Kannangara\, Sammy Jackson\, Zinnia\, Language Arts\, Future Machines\, and Ronley Teper's Lipliners. \nYunjin Claire Lee Bio & Music  \n \nYunjin Claire Lee is a Korean Canadian pianist\, keyboardist\, sound designer\, composer and producer; a sought-after collaborator for creating electrifying soundscapes. She has worked on local and international projects in an extensive range of genres including traditional and avant-garde jazz\, contemporary classical\, musique concrète\, ambient techno\, synthwave\, and pop.   \nHer debut album Voluntary Response (2020) – a solo piano improvisation recordings weaved with electronic processing via Rabid Elephant's prototype synth\, gained her an international fanbase in the experimental music scene. Her ambient electronic singles Underwater Arcade (2020) and Dive (2021) had been featured on radio stations across the country such as CJSW 90.9 FM\, CKUT 90.3 FM\, CITR 101.9 FM\, and CHMA 106.9 FM. \nIn October 2021\, she was featured on Discover Women in Jazz series on JAZZ.FM91\, showcasing a new electro-acoustic duo with Ben Grossman on hurdy-gurdy. They are currently working on a new album to be released in 2022. \nPhoto credit: Brendan Mariani \nDive by Yunjin Claire Lee\nAbout Elastic Recordings \nElastic Recordings is the co-creation of Canadian vibraphonist\, Michael Davidson\, and Canadian double bassist\, Dan Fortin. It is a collective outlet exploring the spaces where composition and improvisation overlap; the points at which nostalgia meets the present moment.   \nThe label will promote music that fits between the gaps of genre and that has been historically difficult to classify.\n \nFollow Elastic Recordings | Instagram\, Twitter
URL:https://on.cmccanada.org/event/chris-pruden-suns/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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GEO:43.6659985;-79.386411
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Chalmers Performance Space 20 St. Joseph Street Toronto ON M4Y 1J9 Canada;X-APPLE-RADIUS=500;X-TITLE=20 St. Joseph Street:geo:-79.386411,43.6659985
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20211126T193000
DTEND;TZID=America/Toronto:20211126T203000
DTSTAMP:20260410T172852
CREATED:20211006T160556Z
LAST-MODIFIED:20211123T145339Z
UID:2233-1637955000-1637958600@on.cmccanada.org
SUMMARY:Hanging by a Thread
DESCRIPTION:The Canadian Music Centre will host Hanging By a Thread\, the inaugural virtual production by Toronto new vocal music concert series\, Slow Rise Music. Slow Rise Music was founded by musicians McKenzie Warriner and Tristan Zaba in 2021 to break new ground in classical performance and\, by showcasing the human voice in contexts different and arguably more relevant than traditional operatic or choral presentations\, improve access and give new life to the art form. \nHanging by a Thread features works from three composers: Isaac Zee\, a Vancouver-based composer/violinist from Hong Kong; Anika France Forget\, a UK-based Franco-Ontarian composer/vocalist; and Tristan Zaba\, a composer/vocalist/rock musician originally from Alberta. Each piece explores the theme of “survival\,” on commissioned texts by Canadian poets Pamela Galloway\, Aude A. Saint-Laurent\, and Tristan Zaba. \n\nIn keeping with the Slow Rise mission\, Hanging By a Thread explores multi-instrumentalism—the concept of players singing and playing instruments simultaneously\, which is common in popular music but unusual in classical presentations. All pieces will be performed by co-founders McKenzie Warriner on soprano voice and piano\, and Tristan Zaba on bass voice and electric guitar. Hanging by a Thread will take place live on YouTube. There is no charge to view aside from an optional donation to Slow Rise Music’s gofundme campaign. \n\nProgramme \nÀ vol d’oiseau | Anika-France Forget (composer)\, Aude A. Saint-Laurent (poet)\nCardinal | Isaac Zee (composer)\, Pamela Galloway (poet)\nElsewhere There Was Daylight | Tristan Zaba (composer\, poet) \nFull Programme / Text & Artist Bios\n\n\n\n\nSLOW RISE MUSIC GOFUNDME PAGE
URL:https://on.cmccanada.org/event/hanging-by-a-thread/
LOCATION:ON
CATEGORIES:Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20211113T200000
DTEND;TZID=America/Toronto:20211113T213000
DTSTAMP:20260410T172852
CREATED:20200127T193252Z
LAST-MODIFIED:20210927T133513Z
UID:1054-1636833600-1636839000@on.cmccanada.org
SUMMARY:Wounded Landscapes
DESCRIPTION:Wounded Landscapes is the culmination of nearly three years of collaboration between pianists Megan Thibeault (Halifax)\, Justin Paul Ortez (Michigan)\, and composer Cory Harper-Latkovich (Toronto). The result is three new works for piano: two solo works which evoke each respective pianist’s sensibilities as an artist\, and one piano duo which synthesizes elements of the solo works. \nSocieties of Solitude written with Megan Thibeault is a suite of shorter pieces which are individually unique in tone and energy and represent Thibeault’s own dynamic style as a performer. \nWounded Landscapes written with Justin Paul Ortez on the other hand\, is a large piece that stretches the perception of time and form and reflects Ortez’s own patience and focus as a performer. \nevocation\, Intimacy takes elements of the two solo pieces and presents them in a performance which reflects the ritual of collaboration that created itself: solitude\, coming together\, intense focus\, improvisation\, creation.
URL:https://on.cmccanada.org/event/wounded-landscapes/
LOCATION:ON
CATEGORIES:National,Ontario,Region
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2020/01/wlbannercopy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20211007T190000
DTEND;TZID=America/Toronto:20211007T203000
DTSTAMP:20260410T172852
CREATED:20211004T151548Z
LAST-MODIFIED:20211006T170815Z
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SUMMARY:Building Up
DESCRIPTION:The Association of Canadian Women Composers/Association des compositrices canadiennes\, in partnership with the Canadian Music Centre presents Building Up – a virtual concert celebrating women composers supporting each other through their creative practices. The program features composers from across the country\, performed by a quartet of flute\, bass clarinet\, piano\, and percussion. This event is part of the ACWC/ACC’s 40th anniversary celebrations and is one of many virtual events taking place across the country this year. \nPerformed by Amanda Lowry (flutes)\, Naomi McCarroll-Butler (bass clarinet + alto saxophone)\, Yang Chen (percussion)\, Cecilia Lee (piano)\, and Stephanie Orlando (piano + electronics). Recording and video editing by Kristen Antunes and Ricci Ebron. \nProgram: \nSophie Dupuis\, Wingless Birds Can Fly Too (flute\, alto sax\, piano\, percussion)\nRoxanne Nesbitt\, wild bells no. 3 (prepared piano\, percussion)\nCatherine Bevan\, Evening Prayers (solo piano)\nNaomi McCarroll-Butler\, Glad Day\, Cosmic Womb (flute\, alto sax\, piano\, percussion\, electronics)\nCléo Palacio Quintin\, Verano In Extensio (flute\, bass clarinet\, percussion\, electronics)\nHeather Hindman\, All Together Now (flute\, bass clarinet\, electronics)\nMonique Jean\, low memory #2 (piccolo\, bass flute\, electronics)\nRebekah Cummings\, Fearless (flute\, percussion\, electronics) \nTickets PWYC / donation \n\n\n\n\nPay-What-You-Can\nPWYC5 $5.00 CAD\nPWYC10 $10.00 CAD\nPWYC25 $25.00 CAD\nPWYC50 $50.00 CAD\nPWYC100 $100.00 CAD
URL:https://on.cmccanada.org/event/building_up/
LOCATION:ON
CATEGORIES:National,Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210416T200000
DTEND;TZID=America/Toronto:20210416T210000
DTSTAMP:20260410T172852
CREATED:20210415T131028Z
LAST-MODIFIED:20210416T232834Z
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SUMMARY:Thin Edge / Dark Flower
DESCRIPTION:Dark Flower is the first in a series of digital concerts marking Thin Edge New Music Collective’s 10th anniversary season. Named in honour of Linda Catlin Smith’s newest piano quartet\, Dark Flower was commissioned by TENMC with generous support from the Ontario Arts Council. This concert is a celebration of the group’s long-standing relationship with Linda. A guiding voice\, and mentor to so many within the contemporary music community\, she has been a source of inspiration to Thin Edge from the earliest days of our ensemble. \nDark Flower is free to attend virtually\, with the option to contribute a PWYC donation to TENMC through their Canada Helps Page. \nDuring these difficult times\, if you have the means to contribute the price of a ticket\, we would like to suggest that in lieu of donating to TENMC\, you direct your funds towards the Native Youth Resource Centre. \nPROGRAMME \nJonathan Bailey Holland | The Intimacy of Harmony (2013)\, for solo piano\nSarah Hennies | Lake (2018) for violin\, vibraphone and piano\nAlex Jang | Three Short Pieces (2020) for piano\, percussion and violin*\nLinda Catlin Smith | Dark Flower (2020) for piano\, violin\, viola\, cello** \nTENMC Performers \nAmahl Arulanadam – Cello\nCheryl Duvall – Piano\nNathan Petitpas – Percussion\nAysel Taghi-Zada – Viola\nIlana Waniuk – Violin \nClick here to view the full program and artist bios
URL:https://on.cmccanada.org/event/thin-edge-dark-flower/
LOCATION:ON
CATEGORIES:Ontario,Region
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2021/04/DarkFlower-CMC-1100x600-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201025T074000
DTEND;TZID=America/Toronto:20201031T183000
DTSTAMP:20260410T172852
CREATED:20201007T183807Z
LAST-MODIFIED:20201015T185931Z
UID:1771-1603611600-1604169000@on.cmccanada.org
SUMMARY:Music for Incandescent Events : Skyview\, Here (version 4)
DESCRIPTION:Music for Incandescent Events : Skyview\, Here (version 4)\nAudio for skyscapes around sunset and sunrise. Livestream & downloadable for portable sky-viewing adventures.\n25 – 31 October at dawn & dusk | 07:40 + 18:10 (variable times)\n\n\n\nSouth-Western Ontario\, online | We invite audiences to tune-in during scheduled audio streams on Facebook during the week of October 25 occurring roughly at dawn and dusk for those based in South-Western Ontario. Streaming will coincide with the shifting light around sunrise/sunset within a broad zone ranging approximately from Peterborough in the East\, to London in the West\, and Barrie in the North. Tune in as the sky begins to change colour. \n\nAcross Canada\, offline | Audiences are also invited to download the dawn-dusk audio files for this work in order to listen offline at a self-directed time based on their location. We encourage you to creatively locate yourself off-line via bicycle\, ferry\, boat\, walking\, or driving with your portable listening device.\n\n\nCLICK HERE to download Music For Incandescent Events\n \nSchedule of streaming events | \n\nSunday\, October 25\, 7:40 & 18:10\nMonday\, October 26\, 7:40 & 18:10\nTuesday\, October 27\, 7:40 & 18:10\nWednesday\, October 28\, 7:45 & 18:05\nThursday\, October 29\, 7:45 & 18:05\nFriday\, October 30\, 7:45 & 18:00\nSaturday\, October 31\, 7:45 & 18:00\n\nAll instances will be streamed on the CMC Facebook Page. \nInstructions for experiencing the pieces | Place yourself with a skyscape view of your choice\, indoors or outdoors. Adjust your soundscape to your liking (e.g. open windows\, sit under a tree\, near waves or find a reflective surface\, etc.). Listen online live or via audiofile (download) during sunset and/or sunrise\, using good quality loudspeakers\, headphones or earbuds. \n\nAbout the Piece | Music for Incandescent Events meditates our perception of time\, memory and place\, creating a space for contemplation\, for awareness of one’s physical environment\, and for exploration of consciousness in the moment.\n\n\nEach iteration of Incandescent Events combines different improvised short melodies and tones performed on a slightly de-tuned shô (Japanese mouth-organ)\, re-recorded several octaves lower than original pitch. I recorded these melodies at very close range while sitting near a reflective wall\, catching rich beat patterns and sum/difference tones. These and additional frequencies beyond the range of human hearing transform into unexpected\, complex audio events at slower play-back speeds\, several octaves down. \nMusic for Incandescent Events version 1 (2002) is published on Somethings #1 (Last Visible Dog). Version 2 (installation) was commissioned by wade Collective for wade project in June\, 2004\, for Gibraltar Point\, Toronto Islands; it showed at the McLuhan International Festival of the Future\, “Scanning Nature” exhibition October\, 2004 (DeLeon White Gallery rooftop deck. Version no. 3\, Colour Temperature Event (for Gabriola Island\, Berry Point\, 2017)\, was curated for The QR Anthology \n\n~ Sarah Peebles
URL:https://on.cmccanada.org/event/music-for-incandescent-events/
LOCATION:ON
CATEGORIES:Ontario,Region
ATTACH;FMTTYPE=image/png:https://on.cmccanada.org/wp-content/uploads/sites/2/2020/10/incandescent-02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201008T200000
DTEND;TZID=America/Toronto:20201008T220000
DTSTAMP:20260410T172852
CREATED:20200922T030733Z
LAST-MODIFIED:20200922T031215Z
UID:1704-1602187200-1602194400@on.cmccanada.org
SUMMARY:Freesound 03
DESCRIPTION:Freesound kicks off its 2020-21 season online with a livestream from the Canadian Music Centre featuring recent works for clarinet\, violin\, and piano\, by composers Jason Doell and Anna Höstman. The ensemble includes Aysel Taghi-Zada\, Wesley Shen\, and Anthony Thompson. \nProgram |\nstrings of sound mapping the thresholds of a liminal space (2019) Jason Doell\nArctic Blooms (2020) Anna Höstman\nTributary (2018) Anna Höstman
URL:https://on.cmccanada.org/event/freesound-03/
LOCATION:ON
CATEGORIES:Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200930T193000
DTEND;TZID=America/Toronto:20200930T213000
DTSTAMP:20260410T172852
CREATED:20200915T021341Z
LAST-MODIFIED:20200922T183956Z
UID:1664-1601494200-1601501400@on.cmccanada.org
SUMMARY:Hommage à Hétu
DESCRIPTION:An iconic figure of 20th century composition in Canada\, Jacques Hétu (1938-2010) contributed beloved works to the repertoire of soloists and chamber groups. Join us for a livestreamed recital featuring some of Hétu’s earliest works written as a young man\, as well as pieces completed during a period of establishment and wider influence. The music of Hétu will be realized by a talented group Toronto musicians. \nThis concert marks the 10th anniversary of Hétu’s death\, and Dr. Robin Elliott\, director of the Institute for Music in Canada\, will also give a presentation illuminating the life and works of Hétu. \nAudiences are encouraged to contribute through Paypal to support the participating artists. \nProgram\nVariations\, Op. 8 | Bryn Blackwood\, piano\nLes clartés de la nuit\, Op. 20 | Maeve Palmer\, soprano and Bryn Blackwood\, piano\nPrelude et danse\, Op. 24 | Jean-Luc Therrien\, piano\nBallade\, Op. 30 and Fantaisie\, Op. 59 | David Potvin\, piano\nSonata for cello and piano\, Op. 63 | Younggun Kim\, piano and Junkyu Park\, cello \nViewers will be invited to donate before and during the performance. All proceeds will go towards the artists.
URL:https://on.cmccanada.org/event/hommage-a-hetu/
LOCATION:ON
CATEGORIES:Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200805T160000
DTEND;TZID=America/Toronto:20200805T173000
DTSTAMP:20260410T172852
CREATED:20200717T154933Z
LAST-MODIFIED:20200717T160017Z
UID:1535-1596643200-1596648600@on.cmccanada.org
SUMMARY:Mistress Class Summer 2020
DESCRIPTION:A series of presentations and discussions that centre the experience and knowledge of women\, trans\, and non-binary identified artists in music. \nThe Mistress Class works to create a respectful space for building knowledge and community\, and seeks to disrupt both the narrative and the form of the traditional master class. \nThe Summer 2020 webinars are free to attend! Participants can register for individual sessions\, or for the full series. In order to make these sessions available to more participants\, we will be hosting them as Zoom webinars. The chat will be available during sessions for attendees to communicate with each other and with the organizers. We also invite participants to share questions in advance to help guide each discussion. \nClass 1: Sound Advice | Sage Kim\, Heather Kirby\nWednesday\, August 5\, 4:00-5:30 EDT \nWorkshop attendees sit in on sessions with mastering engineers\, learn about the software and hardware they use\, the differences between the creative and technical aspects of their work\, and the collaborative spaces between artist and engineer. \nClass 2: Gear and Studio Tours | Lisa Conway (L CON)\, Vanese Smith (Pursuit Grooves)\, Maylee Todd\nWednesday\, August 12\, 4:00-5:30 EDT \nGuest artists show us around the space(s) where they create and record music\, and the tools they use to do so (instruments\, hardware\, software). Counter to the idea that there is only one correct (read expensive) professional studio set-up\, we are interested in how artists are creative and resourceful–with space\, with gear\, with knowledge. \nClass 3: Health and Wellness | Beth Pickens\nWednesday\, August 19\, 4:00-5:30 EDT \nA therapeutic professional who specializes in working with artists explores what it means to do creative work during a pandemic. What is the toll? What is the reward? How can we take care of ourselves and use our skills to help take care of others? How do we understand the meaning and importance of our work in a time of pandemic and of political upheaval? This session may also feature a guest artist. \nClass 4: Writing and Composing | Kinnie Starr\nWednesday\, August 26\, 4:00-5:30pm EDT \nOur guest artist discusses her writing process: where it starts\, where it ends\, what happens in between; how it has changed over the course of her career; when it feels good\, when it hurts; what ignites her; what frustrates her. We also discuss how her writing process has changed (or not) over the course of the COVID-19 pandemic. \nAccessibility | If there are any needs that you would like organizers to be aware of please contact matthew.fava@cmccanada.org\, or include a comment during your registration through Eventbrite.
URL:https://on.cmccanada.org/event/mistress-class-sound-advice/2020-08-05/
LOCATION:ON
CATEGORIES:Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200613T190000
DTEND;TZID=America/Toronto:20200613T210000
DTSTAMP:20260410T172852
CREATED:20200605T001034Z
LAST-MODIFIED:20200605T001034Z
UID:1473-1592074800-1592082000@on.cmccanada.org
SUMMARY:A Thread of Sand: music from the studio of Ann Southam
DESCRIPTION:of-the-now: Archipelago presents a portrait of Ann Southam’s electronic music\, in partnership with the Canadian Music Centre. Featuring The Reprieve (1983) and the previously unreleased A Thread of Sand (1972)\, we will delve into her music in conversation with pianist Eve Egoyan and dancer/choreographer Peggy Baker about their relationships with the composer and her works. \nWe are excited to share previously unreleased footage of Eve and Ann rehearsing\, as well as Peggy Baker’s piece Strand\, set to Ann’s music. You can join the livestream at of-the-now.ca \nof-the-now : Archipelago is conceived like a small venue or house concert series\, with a suggested $10 or PWYC at the door. Please consider donating if you are able. All proceeds go to the artists involved. \nAbout the Artists | \nAnn Southam was born in Winnipeg\, Manitoba in 1937 but lived most of her life in Toronto. After completing musical studies at the University of Toronto and the Royal Conservatory of Music in the early 1960’s\, Ann Southam began a teaching and composing career which included a long and productive association with modern dance. As well as creating music for some of Canada’s major modern dance companies and choreographers including The Toronto Dance Theatre\, Danny Grossman\, Dancemakers\, Patricia Beatty\, Christopher House and Rachel Browne\, she was an instructor in electronic music at the Royal Conservatory of Music in Toronto and has also participated in many “composer-in-the-classroom” programs in elementary and high schools. While a great deal of her work was electroacoustic music on tape\, in her later years she became increasingly interested in music for acoustic instruments. She composed concert music for a variety of acoustic instruments and instrumental ensembles\, working with such artists and ensembles as Eve Egoyan\, Christina Petrowska Quilico and Arraymusic. Ann Southam’s work was commissioned through the Canada Council\, the Ontario Arts Council\, and the CBC\, and has been performed in Canada\, Europe and the U.S. She is a member of the Canadian Music Centre\, the Canadian League of Composers and a founding member of the Association of Canadian Women Composers. She was the recipient of the Friends of Canadian Music Award in 2001. Ann Southam passed away November 25\, 2010. \nEve Egoyan is an artist whose medium is the piano. Her intense focus\, command of the instrument\, insightful interpretations\, and unique programmes welcome audiences into unknown territory. Her recordings have received accolades including “Best Classical”\, The Globe and Mail (1999)\, for her first solo CD\, and one of “Ten Top” classical discs\, The New Yorker magazine (2009)\, and “Top Classical Disc of the Year”\, The Globe and Mail (2011). Eve’s recent releases include Thought and Desire\, works by Linda Catlin Smith\, and De Puro Amor / En Amor Duro\, Maria de Alvear’s epic diptych. Recent touring includes solo recitals at the following festivals: Transart\, Italy; Klangspuren\, Austria; the Huddersfield Festival\, U.K.; and the Modulus Festival\, Vancouver\, Canada. Eve’s most recent project\, SOLO FOR DUET\, is a deeply integrated virtuosic mix of sound\, image\, and unspoken narrative challenging traditional conceptions of piano and pianist which is currently touring internationally. Eve was selected as one of the 25 greatest Canadian classical pianists of all time by the Canadian Broadcasting Corporation. \nPeggy Baker is acclaimed as one of the most outstanding and influential contemporary dancers of her generation. Her unique abilities are the product of an education in both dance and theatre\, pursued initially through the drama department of the University of Alberta\, with The School of Toronto Dance Theatre\, and in New York at the Martha Graham School and the Herbert Berghof Studio. Born in Edmonton in 1952\, she began her professional career in Toronto in 1974\, as a founding member of Dancemakers\, toured internationally as a prominent member of Lar Lubovitch’s celebrated New York company throughout the eighties\, and joined Mikhail Baryshnikov and Mark Morris for the inaugural season of their White Oak Dance Project in 1990\, subsequently forging important creative relationships with Paul-André Fortier (Montreal)\, James Kudelka (Toronto)\, and Doug Varone (New York) through numerous performance projects.
URL:https://on.cmccanada.org/event/a-thread-of-sand-music-from-the-studio-of-ann-southam/
LOCATION:ON
ATTACH;FMTTYPE=image/png:https://on.cmccanada.org/wp-content/uploads/sites/2/2020/06/logo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200417T200000
DTEND;TZID=America/Toronto:20200417T213000
DTSTAMP:20260410T172852
CREATED:20200213T180734Z
LAST-MODIFIED:20200616T025510Z
UID:1152-1587153600-1587159000@on.cmccanada.org
SUMMARY:Songs about Living With: Breath\, Being\, and Transformation | POSTPONED
DESCRIPTION:THIS EVENT HAS BEEN POSTPONED | Advanced ticket purchases will be refunded. We will be coordinating dates in the future for this performance to take place in Toronto. \nSongs about Living With: Breath\, Being\, and Transformation was originally scheduled on April 17 at the Canadian Music Centre but will not take place at that time. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/breath-being-and-transformation/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200327T200000
DTEND;TZID=America/Toronto:20200327T220000
DTSTAMP:20260410T172852
CREATED:20200212T225443Z
LAST-MODIFIED:20200316T173805Z
UID:1146-1585339200-1585346400@on.cmccanada.org
SUMMARY:POSTPONED | Brodie West Quintet / Concert
DESCRIPTION:THIS EVENT HAS BEEN POSTPONED | Advanced ticket purchases will be refunded. We will be coordinating dates in the future for this performance to take place in Toronto. \nThe Brodie Quintet residency at the CMC\, originally scheduled from March 24-27\, will not take place. We are discussing possible alternatives for livestream engagement at this point\, dependent on further communications from public health officials. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/brodie-west-quintet/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200326T190000
DTEND;TZID=America/Toronto:20200326T210000
DTSTAMP:20260410T172852
CREATED:20200212T224504Z
LAST-MODIFIED:20200316T173837Z
UID:1141-1585249200-1585256400@on.cmccanada.org
SUMMARY:POSTPONED | New Musical Resources Day 3 / Activations
DESCRIPTION:THIS EVENT HAS BEEN POSTPONED | Advanced ticket purchases will be refunded. We will be coordinating dates in the future for this performance to take place in Toronto. \nThe Brodie Quintet residency at the CMC\, originally scheduled from March 24-27\, will not take place. We are discussing possible alternatives for livestream engagement at this point\, dependent on further communications from public health officials. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/nmr-activations/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200325T190000
DTEND;TZID=America/Toronto:20200325T210000
DTSTAMP:20260410T172852
CREATED:20200212T220928Z
LAST-MODIFIED:20200316T173907Z
UID:1136-1585162800-1585170000@on.cmccanada.org
SUMMARY:POSTPONED | New Musical Resources Day 2 / Distinctions
DESCRIPTION:THIS EVENT HAS BEEN POSTPONED | Advanced ticket purchases will be refunded. We will be coordinating dates in the future for this performance to take place in Toronto. \nThe Brodie Quintet residency at the CMC\, originally scheduled from March 24-27\, will not take place. We are discussing possible alternatives for livestream engagement at this point\, dependent on further communications from public health officials. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/nmr-distinctions/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200324T190000
DTEND;TZID=America/Toronto:20200324T210000
DTSTAMP:20260410T172852
CREATED:20200212T220040Z
LAST-MODIFIED:20200316T173932Z
UID:1130-1585076400-1585083600@on.cmccanada.org
SUMMARY:POSTPONED | New Musical Resources Day 1 / Get Rhythm
DESCRIPTION:THIS EVENT HAS BEEN POSTPONED | Advanced ticket purchases will be refunded. We will be coordinating dates in the future for this performance to take place in Toronto. \nThe Brodie Quintet residency at the CMC\, originally scheduled from March 24-27\, will not take place. We are discussing possible alternatives for livestream engagement at this point\, dependent on further communications from public health officials. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/nmr-get-rhythm/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200321T150000
DTEND;TZID=America/Toronto:20200321T170000
DTSTAMP:20260410T172852
CREATED:20200310T154652Z
LAST-MODIFIED:20200313T171314Z
UID:1176-1584802800-1584810000@on.cmccanada.org
SUMMARY:CCMP Panel & Workshop | RESTRICTED
DESCRIPTION:THIS EVENT HAS BEEN RESTRICTED | Advanced ticket purchases will be refunded. This event is now closed to the general public\, and will be convened through a video conference with core participants joining remotely. \nThe CCMP Panel was originally scheduled on March 21 at the Canadian Music Centre but will not take place at that time. We apologize for any inconvenience. Feel free to contact matthew.fava@cmccanada.org with any questions.
URL:https://on.cmccanada.org/event/ccmp-panel-workshop/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200307T200000
DTEND;TZID=America/Toronto:20200307T200000
DTSTAMP:20260410T172852
CREATED:20200122T203646Z
LAST-MODIFIED:20200127T181023Z
UID:1048-1583611200-1583611200@on.cmccanada.org
SUMMARY:Tradition & Disruption
DESCRIPTION:Tradition and Disruption explores some of the opposing and conflicting forces behind the creation of piano music in the classical European tradition from the 17th to the 21st centuries. Through their works\, every composer on this program portrays the co-existence of multiple cultural\, national\, stylistic and geographic elements. In some cases\, as with Bach\, Tajčević\, Chopin or Liszt\, this contrast integrates smoothly with traditional forms and modes of expression; in others\, as in the case of Rachmaninov\, Maksimović and Sokolović\, the disruptive elements strive to break loose from the confines of centuries’ old tradition. \nIn his personal and expressive performing style\, Canadian-Serbian pianist Viktor Lazarov brings to you a recital of his favourite styles: Baroque\, Romantic and Contemporary. In his original programmes\, Lazarov continues to champion the music inspired by Balkan themes\, such as the works of composers Marko Tajčević\, Svetlana Maksimović and Ana Sokolović. \nTime / Doors 7:30 pm\, Concert 8:00 pm \nTickets / $25 General\, $15 Senior/Student \nProgramme / \nJ.S. Bach\, Prelude and Fugue in f-sharp minor BWV 883\nMarko Tajčević\, Seven Balkan Dances\nFrédéric Chopin\, Nocturne op. 27 no. 2 in D-flat major & Nocturne op. 9 no. 1 in B-flat minor\nSerguëi Rachmaninov\, Etude op.39 no. 5 in E-flat minor\nSvetlana Maksimović\, Three Choreographic Etudes\nAna Sokolović\, Danses et Interludes\nFranz Liszt\, Paraphrase on Themes from Rigoletto
URL:https://on.cmccanada.org/event/tradition-disruption/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:National,Ontario,Region
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END:VEVENT
END:VCALENDAR