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SUMMARY:spectatorship is not neutral - site-specific interventions for concert halls by Colin Tucker
DESCRIPTION:Installation open 10am-3pm daily\nApril 23-26 and April 29-May 3\nFREE \nspectatorship is not neutral\n\n\n\nsite-specific interventions for concert halls by Colin Tucker \nspectatorship is not neutral presents new and recent installation works for concert halls by Colin Tucker. The installation focuses on marking the politics of often unmarked defaults of spectatorial concert (“classical”) music\, particularly those of silent\, seated\, focal listening\, and of organizing musical practice around closed\, immaterial works. \nGrounded in methods of Black and Indigenous studies\, the installation investigates how the concert hall’s central subject-position\, the Spectator\, is always-already relational\, and specifically how the Spectator’s sensory capacity depends axiomatically upon the discursive displacement of the exteriority of sensation onto racially-marked figures of sensory incapacity. The featured works map how seemingly routine protocols of concert music are not easily separable from protocols of empire\, as a necessary step towards a politicized dismantling of concert music. As the artist is read as white\, the installation deliberately limits the scope of its critical inquiry to white positionality (and whiteness’s (re)production in and through concert music)\, while prioritizing methods of interrogating whiteness learned from Indigenous and Black studies. \nFeaturing works for print\, images\, audio\, projection\, piano\, and more\, the program features installations throughout the CMC’s Chalmers House space\, as well as related performances and a live-streamed artist talk. \nVenue: Canadian Music Centre\n20 St. Joseph St.\nToronto\, ON\, M4Y 1J9 \nTkaronto/Toronto\, occupied land of the Wendat confederacy\, Mississaugas of the Credit First Nation/Anishinaabe confederacy\, and Haudenosaunee confederacy
URL:https://on.cmccanada.org/event/spectatorship-is-not-neutral-site-specific-interventions-for-concert-halls-by-colin-tucker/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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DTSTART;TZID=America/Toronto:20240502T193000
DTEND;TZID=America/Toronto:20240502T223000
DTSTAMP:20260502T222945
CREATED:20240409T202247Z
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SUMMARY:George Crotty Trio -  new compositions for cello\, bass\, and percussion
DESCRIPTION:Free with RSVP\nThursday\, May 2\n7:30pm  \nGeorge Crotty Trio –  new compositions for cello\, bass\, and percussion\nGeorge Crotty – cello / Jonathan Chapman – bass / Matias Recharte – percussion \n\nKnown for their expressive fluidity and modal orientation\, The George Crotty Trio makes music that is cinematic\, collaborative\, and conversational. They draw on influences within Indian raga\, Arabic maqam\, and modal jazz; using the language of other cultures to speak new things. “I’m not at home in any one culture\,” muses Crotty\, “so the trio became my home.”  \nwww.georgecrotty.com \n 
URL:https://on.cmccanada.org/event/george-crotty-trio-new-compositions-for-cello-bass-and-percussion/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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DTSTART;TZID=America/Toronto:20240515T193000
DTEND;TZID=America/Toronto:20240515T223000
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SUMMARY:Games of the Night Wind - Album Launch
DESCRIPTION:Free with RSVP\n  \nDescribed by the Oskar Morawetz Award jurors as a “legend” of Canadian musicians\, Christina Petrowska Quilico joins lauded composer and champion of new music David Jaeger on GAMES OF THE NIGHT WIND\, a dreamy musical landscape premiering 12 of Jaeger’s original nocturnes in addition to seven 20th century solo piano works. \nEach nocturne invokes a different spirit of the night: deception\, memory\, redemption\, realization\, and many more\, each brought to fruition by Petrowska Quilico’s evocative musicality. Sharp staccato and an increasingly startled momentum drives the image of an encounter with the shadows in Nocturne 11\, The Alarm Bell\, a weighty contrast to the deep rubato and heaving nostalgia in Nocturne 1\, In Memory Of — yet both hail from the same thematic darkness that expands across the entirety of the album. These sensations are ever present in Tōru Takemitsu’s starry Les yeux clos\, Alexandre Tansman’s complex and lyrical nocturnes\, and two works by Górecki\, whose Lullaby sings GAMES OF THE NIGHT WIND off to sleep. \nGAMES OF THE NIGHT WIND plays to the unfettered wildness of the night\, a force of nature encapsulated in every aspect of Petrowska Quilico and Jaeger’s musical and poetic collaboration\, an elegant exploration for the night owl in us all. \nProgramme: \n\nTöru Takemitsu – Les Yeux Clos\nDavid Jaeger –  Nocturne: The Murmur (Poetry by Seán Haldane)\nAlexandre Tansman – Nocturne no.4\nDavid Jaeger – Nocturne: Forget the Day (Poetry by Christina Petrowska Quilico)\nDavid Jaeger – Nocturne: Games of the Night Wind (Poetry by Christina Petrowska Quilico)\nHenryk Górecki – Lullaby
URL:https://on.cmccanada.org/event/games-of-the-night-wind-album-launch/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:Ontario
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