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DTSTART;TZID=America/Toronto:20260416T193000
DTEND;TZID=America/Toronto:20260416T220000
DTSTAMP:20260501T051113
CREATED:20250905T152523Z
LAST-MODIFIED:20251205T134615Z
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SUMMARY:CMC Presents : Star Songs
DESCRIPTION:Thursday\, April 16\, 2026\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Star Songs \nwith Catharin Carew and Hoi Tong Keung\nImagine Chalmers House turned into a black-box theatre! In this concert Catharin and Hoi Tong will explore the intersection of music and theatre in a dramatic re-presentation of the recital. Hoi Tong\, alongside Köng Duo member Beavis Ng\, present their “percussion theatre” works that transform their percussion instruments into props\, cartoon backgrounds\, and even characters themselves! Paired with Catharin’s exploration of songs about the stars from the CMC’s own catalog. Catharin’s dramatic interpretations of the Art Song repertoire bring these songs to life into something beyond the standard recital. \n—- \nMezzo soprano Catharin Carew (she/they) is equally at home on both the operatic and concert stage\, having performed a wide range of classical repertoire\, from Baroque to Contemporary. \nShe has been described as “a real personality with a dark edge to her mezzo as well as clear top notes” (WhatsOnStage\, UK) as well as “exhilarating” (Opera Canada). Career highlights include premiering the role of Maeve in Ana Sokolovic’s The Midnight Court at the Royal Opera House\, Covent Garden with Queen of Puddings Music Theatre\, performing Mrs. Grose in the Aldeburgh production of The Turn of the Screw\, singing in Tapestry New Opera Works’ Queers Crash the Opera and working with Powerhouse Opera in 2022\, singing the role of Klytaminestra  in their production of Elektra.  Catharin has sung 26 of Bach’s cantatas as a soloist through the Bach Vespers series at the Church of the Redeemer. \nRecent performances by Catharin include premiering the role of Demeter in Elizabeth Raum’s new opera Romance of the Gods with Orchestra Toronto\, participating in a workshop presentation of Afarin Mansouri’s opera The Refugees at the new Tapestry Studios\, making her debut as Brangäne in Powerhouse Opera’s production of Tristan und Isolde\, appearing as the mezzo soloist in the Canadian premiere of Robert Cohen’s oratorio Alzheimer Stories with Pax Christi Chorale in Toronto and again with Chor Amica in London and performing the title role in Mascagni’s opera Zanetto with Grand River Opera in Kitchener-Waterloo. \nThis August Catharin will be performing as part of the Ukranian Art Song Project’s Summer Institute and in the September looks forward to singing the role of Říhová in Dvořák’s opera Tvrdé palice with the Canadian Institute for Czech Music. \n  \n\n\n \nHong Kong-raised percussionist Hoi Tong Keung believes in the power of music in connecting people. As a contemporary music advocate\, she has attended Darmstadt Summer Course (Germany) and soundSCAPE festival (online)\, collaborating with composers and premiering their works. Her performance and research interests lie on the interplay between modes of expression\, be it Eastern and Western music\, acoustic and electronic instruments\, or music and speech. Among which\, Hoi Tong’s doctoral research focuses on incorporating spoken Cantonese into percussion music. One of the commissioned works for her research-creation project is One Dollar for One Turtle by Ehwa Hong (France/Korea)\, which was premiered at Festival POTE in Besançon\, France. \nHoi Tong co-founded KöNG Duo with percussionist Bevis Ng. In 2022\, they curated their début set “good morning\, hong kong” during their residency at Banff Centre. Since then\, they have performed locally at Music TORONTO’s Celebration of Small Ensembles series and internationally at the New Music Gathering in the U.S.A.. Besides discovering under-performed gems\, they collaborate with emerging composers and have premiered over 15 works. The Duo won First Prize at the 2023 Southern California Marimba International Artist Competition and was named Young Artistic Associates of Confluence Concerts in the 2023–2024 season. KöNG Duo proudly endorses Marimba One instruments. \nHoi Tong is a doctoral candidate at the University of Toronto under the guidance of Aiyun Huang and Beverley Johnston. She holds degrees from Boston Conservatory at Berklee and the Chinese University of Hong Kong. \n  \n\n  \n  \n  \n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-star-songs/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20260305T080000
DTEND;TZID=America/Toronto:20260305T170000
DTSTAMP:20260501T051113
CREATED:20250905T152704Z
LAST-MODIFIED:20251205T134712Z
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SUMMARY:CMC Presents : Guitar Night
DESCRIPTION:Thursday\, March 5\, 2026\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Guitar Night \nwith Rodrigo Simões and Dipo Adeola\nPresenting two very different but no less innovative approaches to jazz guitar. Emerging Toronto-based guitarist and composer Dipo Adeola extends a classic jazz approach into new and unexpected territory. Montreal-based Rodrigo Simões blends Brazillian music with jazz to acheive something greater than the sum of its parts. \n— \nRodrigo Simões is a composer with a distinctive style that oscillates between Brazilian music and jazz improvisation. His international career has taken him to China\, Australia\, South Korea\, Paraguay\, and the United States\, in addition to his native Brazil and his adopted country\, Canada. The guitarist has collaborated with major artists in Brazil (Elza Soares\, Carlos Malta\, Paulinho da Viola\, Dominguinhos\, Zeca Baleiro\, and Paulo Moska) and in Canada (Bill McBirnie\, Joel Miller\, Sienna Dahlen\, Alex Lefaivre\, Sonia Johnson\, Mark Nelson\, Carl Mayotte\, Daniel Bellegarde\, Rémi Bolduc\, and Jean-Pierre Zanella). In 2013\, his first album ‘Aos Velhos Amigos’ was released in Brazil. In 2018\, he completed a master’s degree in jazz composition at the University of Montreal under the supervision of bassist Alain Caron (UZEB). That same year\, he released his second album ‘Jazz Brésilien’\, which won the bronze medal at the Global Music Awards and was ranked among the top five jazz albums of 2018 in Quebec by Sorties Jazz Nights. In 2019\, he became an instructor of the Afro-Cuban Brazilian Jazz Ensemble at McGill University. In 2023\, he released his third album under the theme of the number 3. TRE is Rodrigo Simões’ new concept album\, produced by the Toronto jazz label Three Pines Records\, which received the bronze medal at the Global Music Awards for Best Latin Album. Rodrigo’s group won the ‘Band of the Year’ award at the 2024 TUJazz Festival for their performance of TRE. \nDipo Adeola is a Toronto-based guitarist and composer and a graduate of the University of Toronto’s Jazz Performance program. Influenced by swing and bebop\, his playing combines rich harmony with a modern creative approach. He has performed at venues including The Rex\, Jazz Bistro\, and Tapestry. \n\n\n\n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-guitar-night/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2025/09/4-1.jpg
ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20260219T193000
DTEND;TZID=America/Toronto:20260219T220000
DTSTAMP:20260501T051113
CREATED:20250905T152933Z
LAST-MODIFIED:20260323T123921Z
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SUMMARY:CMC Presents :  Solo Works
DESCRIPTION:Thursday\, February 19\, 2026\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Solo Works \nwith Wesley Shen and Roan Ma\n  \nPresenting two of Toronto’s most dynamic new music performers playing a selection of works dear to them. The two will play solo sets of piano music and violin music as well as a piece or two for violin and piano. The concert will also be the premiere of Sonny-Ray Day Rider’s work that is the CLC’s ISCM Commissioning Project for Indigenous Artists. \n—- \nWesley Shen is a Toronto-based pianist and harpsichordist specializing in the performance of contemporary music. He can be found in equal measure as a solo\, collaborative\, chamber and orchestral musician. He regularly performs with a number of groups including Continuum New Music\, New Music Concerts\, Esprit Orchestra\, Soundstreams\, and FAWN Chamber Creative. He is also a core member of the Freesound Ensemble\, one of Toronto’s newer contemporary music collectives. In more traditional settings\, he can also be seen performing with the Toronto Symphony Orchestra\, and the Hamilton Philharmonic Orchestra. \nA passionate advocate for new music\, Wesley works closely with many of Canada’s top composers including Linda Catlin Smith\, Anna Höstman\, Bekah Simms\, and James O’Callaghan. He can be heard on a number of recent albums including Emilie LeBel’s landscapes of memory\, Bekah Simms’ Bestiaries\, and Monica Pearce’s Textile Fantasies. He has also received numerous grants from the Canada Council of the Arts to commission over a dozen new works for both solo harpsichord and solo piano. He continues to strive to create and contribute to these deeply fruitful collaborative relationships between performers and composers\, as well as promote the harpsichord as an expressive and exciting contemporary music instrument. \nAs well as the piano and harpsichord\, Wesley has added a number of additional instruments to his palette\, namely the shō and more recently the Ondes Martenot. Wesley is a co-founding member of shshcc\, a trio of two shōs and accordion with Michael Murphy and Matti Pulkki\, commissioning and performing newly created works for this unique ensemble. \nRecent appearances include performing Morton Feldman’s Patterns in a Chromatic Field with Amahl Arulanandam\, Gérard Grisey’s Vortex temporum with Freesound Ensemble\, Henryk Gorecki’s Harpsichord Concerto with Esprit Orchestra\, and will soon be performing with Opéra de Montréal on Ondes Martenot in the new opera Clown(s) by Ana Sokolovic. \n______________ \nRoan Ma is a multi-faceted musician passionate about creating space within the classical music world where diverse voices are represented. Her work focuses on rediscovering music and musicians obscured by time and social constrictions\, as well as challenging the conventions of classical violin through contemporary repertoire. \nRoan received her BM and MM degrees in violin performance from the Manhattan School of Music\, graduating from her Masters with the Hugo Kortschak Commencement Award for Outstanding Achievement in Chamber Music. She then received her Master of Music Education from Columbia University’s Teachers College. During her tenure in New York City\, Roan also worked at Manhattan School of Music’s Orto Center for Recording Arts and Distance Learning as both a Recording Engineer and as the Recording Arts Manager. Currently\, Roan is pursuing a DMA in violin performance at the University of Toronto studying under Jonathan Crow and Mark Fewer. \nRecent festivals and residencies include IRCAM’s ManiFeste 2023\, Continuum Contemporary Music’s 2023 HATCH mentorship program\, Bang on a Can’s 2024 Summer Festival\, The Next Festival of Emerging Artists (with the Kronos Quartet)\, and Darmstadt Summer Course 2025. Roan currently works as Continuum Contemporary Music’s Artistic Producer through their MAP program. \nRoan also leads an active academic life in addition to her performance career. Recent paper and lecture-recital presentations of her research at conferences include Female Baroque Composers Hidden in the Male Canon at the Rutgers University Musicological Society’s Graduate Student Conference\, Problems in Progress and Preservation Within Music Conservatories at Columbia University’s “Facing Climates” Conference\, Kaija Saariaho’s Electronics: Reconceptualizing Authorship in Composer-Engineer Collaboration at Carleton University’s Music\, Sound\, and Liminality Conference\, and Her Music or Their Music?: Electronics in Kaija Saariaho’s Compositions and Career at McGill University’s Graduate Music Symposium. Her doctoral research at the University of Toronto concentrates on music for violin and electronics from a pedagogical and performance perspective. \n\n\n\n  \n  \n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-solo-works/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2025/09/3-1.jpg
ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20260122T193000
DTEND;TZID=America/Toronto:20260122T220000
DTSTAMP:20260501T051113
CREATED:20250905T153313Z
LAST-MODIFIED:20260323T123954Z
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SUMMARY:CMC Presents: Imagined Spaces
DESCRIPTION:Thursday\, January 22\, 2026\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Imagined Spaces\nwith Dame Cook and Sergei Kofman\nContrasting wildly different approaches to integrating acoustic and electronic music these two artists imagine ways in which instruments and sound design create spaces both real and imagined.\nComing off a residency at Chalmers House this summer\, Sergei’s music explores the relationship between acoustic piano\, live processing\, and modular synthesizer. Using a pitch tracking algorithm to control the synthesizer\, the music explores the connection points and failures of technology. Dame Cook’s recent album “in that bedroom\, in that white house” in contrast samples instruments and room noises in a deconstruction of bedroom pop aesthetics. Coupled with their superimposed film projections the effect is of being in multiple places at the same time. \n—- \nSergei Kofman (b. 1996) is a composer and producer based in Toronto. Sergei works in a wide range of mediums\, including recorded and live experimental electronic music\, film music\, and music production. Sergei completed a masters degree in Composition from the University of Toronto in 2020\, where he was awarded the 2021 Ann H. Atkinson prize for his piece Voices in the Whir. \n\n\n\nIn 2022\, Sergei received support from the Toronto Arts Council for his project\, I Hear the Scent of Change and Stillness\, an EP which was released in 2023\, accompanied by a concert at Toronto’s ArrayMusic. \nSergei also works under the artist name Measure\, an experimental electronic solo project which encompasses most of his musical output. Under the Measure moniker\, Sergei releases solo work\, performs live across Toronto\, and contributes music to film and media projects. His credits include Nick Funness’ film The Hedonist\, Brigita Gedgaudas’ dance-technology piece Be Vardų\, Be Kojų\, and Parisa Sabet’s art installation project Sabzeh. \nSergei/Measure is currently working on his debut full-length album\, “Artefacts”\, with the Toronto-based label Halocline Trance. \n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-imagined-spaces/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2025/09/2-1.jpg
ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20251204T193000
DTEND;TZID=America/Toronto:20251204T220000
DTSTAMP:20260501T051113
CREATED:20250905T153635Z
LAST-MODIFIED:20251205T135041Z
UID:3214-1764876600-1764885600@on.cmccanada.org
SUMMARY:CMC Presents : Game Night
DESCRIPTION:Thursday\, December 4\, 2025\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Game Night \nwith Render File and Obuxum \nThis december we’ll be stretching the idea of concerts at the CMC. We’ll be transforming the CMC space into the vibe of a basement jam and dance club! Featuring the local improvising group Render File who live-score video games as they’re played in the moment in a concert experience somewhere between a free-improv jazz set and a “let’s play” video. Closing the night is Somali-Canadian producer and beat maker Obuxum\, herself no stranger to video games\, having scored the indie game “Bravery Network Online”. Obuxum produces music that is as social engaged as it is danceable. \n—- \nRender File is a biweekly immersive event that melds improvised music and video games. Since July 2023\, every 2nd and 4th Wednesday in the basement of the Wenona Craft Beer Lodge\, improvisers and friends gather to score a video game while it is being played live. Emerging musicians from Toronto’s jazz\, improvised\, electronic\, and experimental music scenes are being invited to play each week and it has become a space for experimentation and community building. It also has connections with the vibrant indie game scene in Toronto\, as Render File has hosted several showcase nights where local video game devs get to submit their games and have it scored live in front of an audience. Render File is an ever-growing celebration of our love for community\, music\, technology\, and creativity. \n  \n  \n  \nObuxum is an up and coming electronic musician\, producer and beat maker based in Toronto. \nIn 2020\, Obuxum’s album Rebirth received critical acclaim when it was longlisted for the 2020 Polaris music prize. In addition to performing at various events including Wavelength Festival\, Luminous Fest\, Kazoo Fest\, Electric Eclectics\, and Mutek\, Obuxumproduced In Women Colour\,  a song featured on Haviah Mighty’s  Polaris Prize-winning debut album 13th Floor. their other production credits include the soundtrack for Gloam Collective’s video game\, Bravery Network. In 2018 Now Magazine highlighted Obuxum as one of Toronto’s “electronic musicians to watch”.   Known for her richly textured soundscapes which weave together the sounds of hip hop\, house\, techno and electro R&B\, Obuxum is committed to celebrating and paying homage to fellow emerging  and established BIPOC women artists who have inspired them. \n\n\n\n  \n\n\n\n  \n  \n  \n\n\n\n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-game-night/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
ATTACH;FMTTYPE=image/jpeg:https://on.cmccanada.org/wp-content/uploads/sites/2/2025/09/1-2.jpg
ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20251115T193000
DTEND;TZID=America/Toronto:20251115T220000
DTSTAMP:20260501T051113
CREATED:20250905T153924Z
LAST-MODIFIED:20251205T135148Z
UID:3221-1763235000-1763244000@on.cmccanada.org
SUMMARY:CMC Presents : E-gre winners tour\, featuring Stephanie Chua
DESCRIPTION:Saturday\, November 15\, 2025\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : E-gre winners tour\, featuring Stephanie Chua\nJoin us for an exciting evening of dynamic piano playing at the CMC. Up and coming pianist Linda Ruan joins us for the Toronto leg of the Eckhardt-Gramatté National Music Competition National Tour. Linda’s program features a programme celebrating Asian-Canadian composers across the country including Keiko Deveaux\, Vincent Ho\, Alice Ping-Yee Ho as well as the E-gre Commissioned work this year by Rita Ueda. Linda is joined by a stallwart in the Toronto new music scene\, pianist Stephanie Chua. Stephanie complements Linda’s program with a selection of adventurous Canadian music from her repertoire. \nThe evening will conclude with a post concert chat between Linda and Stephanie. \n—- \nNamed one of Canadian Broadcasting Corporation’s Hot 30 under 30 Canadian Classical Musicians\, Chinese-Canadian pianist Linda Ruan is passionate about sharing the potential of music to overcome boundaries across cultures. Since being introduced to the drums at the age of four and then the piano at the age of seven\, music has remained a stabilizing force in her diverse childhood from Tokyo\, Shanghai to Vancouver. Her unconventional path from a young age broadened her horizons and cultivated a fascination for diverse cultures. Her curiosity guided her beyond her solo piano studies\, expanding to music pedagogy and community engagement\, the fortepiano\, conducting and a wide range of chamber music projects. \nLinda is a top prize winner in a number of international piano competitions including the VI Odin International Music Competition\, Music Without Limits International Competition\, and the Seattle International Piano Competition. Her piano duo La Fiammata is the second prize winner of the ARD International Music Competition 2021. She has performed in venues across the world\, from Carnegie’s Weill Hall and Lincoln Center’s Rose Studio to a recital tour in China spanning Guangzhou to Shanghai. Additionally\, she made her orchestral debut with the Xinghai Philharmonic. \nLinda received her Bachelor of Music degree with Honours and Master of Music degrees from The Glenn Gould School\, The Juilliard School\, and the Tianjin School respectively. Her past teachers include James Anagnoson\, Hung-Kuan Chen\, Corey Hamm\, Xiao Li\, Li Wang\, Xiaohan Wang\, and Jia Xie. Currently\, she is studying at the UBC School of Music with Dr. Corey Hamm. \n \nStephanie Chua is an expressive and versatile Canadian pianist devoted to presenting and performing contemporary works through musical insight\, innovative programming\, and dynamic collaborations. She has performed in solo and chamber recitals across Canada\, Europe\, and Asia.  Recent highlights include being a featured performer in Soundstreams’ ‘Keyed Up’ Piano Festival (Toronto) and the STRATA New Music Festival (Saskatoon)\, solo recitals at SOUL Live Music Project in Ho Chi Minh City (Vietnam) in partnership with Saigon Classical\, New Music Edmonton\, and Music Toronto’s Discovery Series; along with performances at Shanghai New Music Festival\, and Impuls Contemporary Music Festival (Graz\, Austria). \nAs a much sought-after collaborative pianist\, Stephanie has performed in some of Canada’s most important contemporary ensembles including Array Music\, Continuum Contemporary Music\, Esprit Orchestra\, New Music Concerts\, and Trio Fibonacci. In 2009\, Stephanie co-founded junctQín keyboard collective with Elaine Lau and Joseph Ferretti.  junctQín is a trio of pianists committed to performances of contemporary music and commissioning new works for their unique instrumentation.  Since its inception\, the group has commissioned and premiered over 40 new works from emerging to internationally established living composers. junctQín recently launched the digital platform PLAYrePLAY (playreplay.ca) with funding from the Canada Council for the Arts\, featuring breakthrough interactive compositions for the ensemble by composer-creators Germaine Liu\, Nicole Lizée\, and Lieke van der Voort.  Stephanie also performs regularly in duo with violinist Véronique Mathieu.  They recently released their second recording ‘Invocation’ featuring all female-identifying composers spanning over 200 years on Navona Records. \nA dedicated educator\, Stephanie has taught masterclasses and given lectures at the University of Toronto Scarborough\, University of Western Ontario\, University of Saskatchewan\, University of Lethbridge\, Lakehead University\, and the Victoria Conservatory of Music.  She has adjudicated at the Ontario Music Festivals Association’s 2025 and 2024 Provincials\, Contemporary Showcase Festival in Mississauga and Saskatoon\, and the Kiwanis Festival in Orillia.  Stephanie is a proud Artist Mentor through the Toronto District School Board’s tdsbCREATES program. \n\n\n\nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-e-gre-winners-tour-featuring-stephanie-chua/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250924T193000
DTEND;TZID=America/Toronto:20250924T220000
DTSTAMP:20260501T051113
CREATED:20250905T154252Z
LAST-MODIFIED:20251205T135250Z
UID:3236-1758742200-1758751200@on.cmccanada.org
SUMMARY:CMC Presents: Map of You
DESCRIPTION:Wednesday\, September 24\, 2025\nDoors at 7:00pm – Show at 7:30pm\nCMC Presents : Map of You\nwith Rachel Fenlon & Maeve Palmer\nThis concert features two of Canada’s most exciting sopranos. Rachel Fenlon takes her signature self-accompanied style to the music of composer Daniel Janke from their recently released album Map of You (available from Centrediscs). This music sits at the boundary between art-song and folk creating a language and topology all its own. Rounding out the program is Maeve Palmer and Jialiang Zhu’s exploration of Canadian-Irish identity\, contrasting contemporary composers from both Ireland and Irish-Canadian composers here. \n \nRachel Fenlon is a soprano and pianist who is finding a unique voice on the classical music stages of the world. Drawing from a singer-songwriter approach\, Rachel performs song recitals as both singer and pianist accompanying herself. Praised for her “unusually shaped recitals in keeping with her extraordinary talent” (Places des Arts/Festival de Lanaudière)\, Rachel performs internationally as a recitalist\, as solo pianist and singer\, and on the opera stage. Rachel was born in the UK\, raised on the west coast of Canada\, and is now based in Berlin. \nThe 2024/25 season sees Rachel make self-accompanied recital debuts at the Konzerthaus Berlin\, the Bechstein Hall\, Salle Bourgie Montreal\, Vancouver Recital Society\, the Virtuosi Festival in Brazil and the Algarve Music Series. She returns to her native Canada\, touring various programmes at leading festivals and venues including Salle Bourgie\, Vancouver Recital Society\, Domaine Forget\, Coast Recital Society\, ArtSpring\, SweetWater Music Festival\, and Music Toronto. In opera\, Rachel returns to work with Ensemble Nylandia/Isabella Shaw in La Doriclea. Rachel releases her debut solo album of Schubert’s Die Winterreise on Orchid Classics in autumn 2024. \nFurther collaborations in 2024/25 include the premiere of Daniel Janke’s new songs which will be performed live in 2025 and released on Centredisques the same year. Rachel collaborates with Manufaktur für aktuelle Musik (MAM) and SWR Radio singing and playing synthesizer in a new work composed by Mart*n Schuettler and will perform new works by Samy Moussa and Víktor Orrí Arnason. Rachel sings and produces Schoenberg’s Pierrot Lunaire in a co-production between Vancouver Opera\, Opèra de Quebec and Opéra-Théâtre de Metz. \nPrevious highlights include self-accompanied recitals at prestigious festivals and venues such as Fundación Juan March\, the Oxford Lieder Festival\, Festival de Lanaudière\, Ottawa Chamberfest\, National Arts Centre Canada\, Settimane Musicali di Ascona\, Scotiafest\, Vancouver Opera Festival\, Martha Argerich Festival Hamburg\, Festival International Povoa de Varzim\, Toronto Summer Music Festival\,  Oper Leipzig\, PODIUM Festival Matadepera\, Klangwerk LIED the Toronto Summer Music Festival\, Kammermusik Festival Ahrenshoop\, Pianosalon Christophori\, the Canadian Broadcasting Company Studios\, GEDOK Festival Berlin\, and at venues such as the National SAW Gallery\, Kuhlhaus Berlin\, the Fox Cabaret Vancouver\, St\, James Picadilly London\, Late Night Liederabend Vienna\, Orpheum Annex Vancouver\, St. Clement Danes London\, Gallery 345 Toronto\, Vancouver Opera\, Pacific Opera Victoria\, the Theater am Delphi Berlin\, and Oper Leipzig. \nPerforming and commissioning new music is a core part of Rachel’s artistic practice. Her most recent new creation is an audiovisual song cycle\, titled Sing Nature Alive from My Insides\, which world-premiered at Ottawa Chamberfest in 2022.or self-accompanied soprano\, piano\, live electronics and video projections\, for Rachel as performer. The music is composed by co-creator Matthias McIntire\, and visual film projections by visual artist and co-creator Jamie A McMillan\, set to poetry by Rachel. The piece will be performed three times this season\, at the Konzerthaus Berlin\, Sweetwater Festival\, and Berlied Festival next season. \nRachel has collaborated with composers such as Sarah Sleane\, Nicole Lizée\, Chaya Czernowin\, Susanne Stelzenbach\, Helmut Zapf\, and Danika Loren. Her recent collaborative highlights include dance projects at Teatro Dello Scompiglio with Freies Tanz Ensemble and at Teatro del Giglio with Tanzfabrik Berlin. \nRachel began her career as an opera singer and continues to perform as an opera singer and concert soloist. On the opera stage\, Rachel has sung roles at Deutsche Oper Berlin (Heart Chamber/Czernowin)\, Vancouver Opera (Susanna/Le Nozze di Figaro; Zerlina/Don Giovanni; Pamina/Die Zauberfloete; Mabel/Pirates of Penzance)\, Pacific Opera Victoria (Nannetta/Falstaff; Guinevere/Camelot)\, Ensemble Nylandia (Galatea/Acis and Galatea). In concert\, Rachel has performed with the Vancouver Symphony Orchestra (Bach/B minor mass; Beethoven/Ninth Symphony)\, Victoria Symphony (Handel/Messiah; Aria Concerts; Bach/Magnificat)\, Sophienkirche Berlin (Arvo Part/Stabat Mater; Haydn/Nelson Mass)\, and Ensemble Nylandia Finland (Rossignols amoureux). \nIn addition to her work as a performer\, Rachel writes poetry – she has been awarded writing grants from the Canada Council and Ontario Arts Councils for her poetry and will release her debut collection in the coming year. Rachel is the co-founder of the Berlin artist collective CROWN THE MUSE\, which has collaborations with stage director Bruno Ravella\, and the dance company Ne.Sans under the direction of choreographer Idan Cohen. Rachel is a founding member of the Canadian Artist Collective New Art New Media. Rachel was the founding host of a series titled “Classical (R)evolution” on IDAGIO\, which ran for two years beginning in 2020\, and interviewed guests such as Marc-André Hamelin\, Barbara Hannigan\, Vikingur Olafsson\, Nico Muhly\, Avi Avital\, Magdalena Kožená\, James Gaffigan\, Timo Andres\, Heloise Werner\, Anna Lapwood\, Sean Shibe\, Alexander Neef\, Francesco Piemontesi\, Gerald Finley\, amongst many others. \nRachel attended artist residencies at Avaloch Farms Music Institute\, Lunenburg Academy for Music Performance\, the Banff Centre for the Arts. She was a young artist at Vancouver Opera\, and a participant in Oxford Lieder Mastercourse\, Rossini Opera Festival young artist summer festival\, and the Crear Programme for Song in Scotland with Sir Malcolm Martineau.​ \n  \n“Triple-threat … coloratura” (OperaCanada) Maeve Palmer is an alumna of the Rebanks Family Fellowship and the University of Toronto (UofT) Opera School. Maeve is a prize winner of the 2021 Jim and Charlotte Norcop Prize in Song (UofT)\, a prize winner of the Eckhardt-Gramatté National Music Competition\, and a Dora award winner. She has performed with Tapestry Opera\, New Music Concerts\, Continuum Contemporary Music\, and Opera Atelier. Her voice can be heard in the Hollywood film The Space Between Us. Recent operatic roles include Adina\, L’Elisir d’Amore (Highlands Opera)\, Genio Haydn’s Orfeo ed Euridice\, Jean MacDonald and Daisy Fairchild in The Bells of Baddeck (MacDonald & Burry)\, and Robot 1\, and [Helena] understudy in Tapestry Opera’s production of RUR: A Torrent of Light (Lizée). An interpreter of many Mozart roles\, Maeve has performed as Queen of the Night (Toronto City Opera) Susanna\, Sandrina\, and Serpetta (UofT Opera)\, and Zerlina (Center for Opera Studies Italy). World and Canadian premieres include works by Nicole Lizée\, Alice Ping Yee Ho\, Samuel Andreyev\, and Haydn. A passionate scholar\, Maeve recently finished her doctorate in Voice Pedagogy and Vocology at UofT as a Massey College Junior Fellow. \n\n\n\n  \nTicket price:\nGeneral Admission. $15 Advance / $20 at the door\nCMC Members and Arts Workers. $12 Advance / $15 at the door\nStudents. $10 anytime \nVenue:\nCanadian Music Centre\n20 St. Joseph Street\nToronto\, ON\nM4Y 1J9\n416-961-6601 x202 \n  \nSupported by:
URL:https://on.cmccanada.org/event/cmc-presents-mapofyou/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220626T120000
DTEND;TZID=UTC:20220626T133000
DTSTAMP:20260501T051113
CREATED:20220609T183843Z
LAST-MODIFIED:20220617T160053Z
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SUMMARY:Greg Bruce - Workshop: Embrace Lofi!
DESCRIPTION:Embrace Lofi! Cassette Tapes and Creative Practice \nIn this workshop\, post-digital saxophonist Greg Bruce will discuss his philosophy surrounding cassette tapes and demonstrate how he uses them in his musical practice. Greg will begin by discussing how we can think about physical electronic media and the importance of materiality in music making. Following this\, he will cover the fundamentals of cassette tapes: the glory of wow and flutter\, the differences between cassette types\, and what tapes\, players\, and recorders to look out for (among other topics). \nNext\, Greg will demonstrate the wide range of creative uses for a simple cassette recorder. This portion of the workshop will show participants how to make several types of tape loops and demonstrate various recording and playback techniques. All the equipment and materials required for this practice are intended to be affordable and easy to find\, whether buying new or thrifting\, so that participants can easily try this DIY\, lofi practice at home. \nStreaming link
URL:https://on.cmccanada.org/event/greg-bruce-workshop-embrace-lofi/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents,Ontario
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190624T200000
DTEND;TZID=America/Toronto:20190624T230000
DTSTAMP:20260501T051113
CREATED:20190507T162358Z
LAST-MODIFIED:20190507T162606Z
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SUMMARY:TONE / CVN\, Koeosaeme\, Korea Town Acid\, Kat Estacio
DESCRIPTION:TONE\, Riparian Acoustics & Canadian Music Centre Present: \nCVN\nKOEOSAEME\nKOREA TOWN ACID\nKAT ESTACIO\n@ Burdock (1184 Bloor St. West)\n8pm\, $10/$12 \nCVN | CVN is Nobuyuki Sakuma\, previously of Jesse Ruins on Captured Tracks. Noboyuki’s CVN project emits a searching quality in electronic music. His wide variety in sound choice\, production style\, and curiosity with engaging a wide variety of artists through his Gray Matter Archives series makes his output consistently compelling. CVN has been published with Orange Milk\, Where To Now?\, and angoisse. He is the curator of the mix series Grey Matter Archives and is editor at the music online magazine AVYSS. \nKOEOSAEME | Koeosaeme is Ryu Yoshizawa’s solo project which pursues the fusion of programming and sound art. From 2004\, he has been a member of the sound artists group “OFFICE INTENZIO” under Yellow Magic Orchestra’s Yukihiro Takahashi. In addition\, he is in charge of live event backup support and recordings for Ryuichi Sakamoto\, Yukihiro Takahashi\, Kyoka and many others. He also produces music commercially for Lotte and Square Enix. \nKOREA TOWN ACID | Toronto based free form beat manipulator Jessica Cho creates swinging dance rhythms that draw from disassembled minimalism\, free jazz and the more avant-garde corners of techno. With a background as a classically trained pianist Cho brings a fresh prospective to the beat driven landscape\, letting seemingly abstract rhythms linger and mingle with moody textures. Her tracks ebbs and flow as electronic pulses\, beats\, and clicks coalesce only to transform once again. Manicured peaks and valleys are dotted with hints of what’s to come. Sonic clues lost in a feeling. Check her newest LP “Mahogani Forest” on Cosmic Resonance Records! \nKAT ESTACIO | Tkaronto (Toronto)-based Kat Estacio blends delicate\, abstract electronics with the traditional gong music of the Philippines to produce an engrossing\, mirage-like listening experience. \n$10 Adv at Rotate This\, Soundscapes\, Circus Books and Music\, and Canadian Music Centre\n$12 at the door\n$55 TONE 4 Show Pass\n$70 TONE Festival Pass \nBurdock is not fully accessible: there is one step at the entrance\, and there are gendered washrooms in the basement accessed by a flight of stairs.
URL:https://on.cmccanada.org/event/tone-cvn-koeosaeme-korea-town-acid-kat-estacio/
LOCATION:Burdock\, 1184 Bloor St. West\, Toronto\, Ontario\, M6H 1N2\, Canada
CATEGORIES:CMC Presents,National,Ontario,Region
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180329T173000
DTEND;TZID=America/Toronto:20180329T190000
DTSTAMP:20260501T051113
CREATED:20180124T202447Z
LAST-MODIFIED:20180904T175708Z
UID:338-1522344600-1522350000@on.cmccanada.org
SUMMARY:CMC Presents: Rachel Mercer
DESCRIPTION:Canadian cellist Rachel Mercer has appeared as a soloist and chamber musician across five continents. Grand prize winner of the 2001 Vriendenkrans Competition in Amsterdam\, Rachel is cellist of Ensemble Made In Canada\, the Mercer-Park Duo\, the AYR Piano Trio\, Artistic Director of the “5 at the First” Chamber Music Series in Hamilton\, and joined the National Arts Centre Orchestra as Associate Principal Cello in January 2016\, winning the Principal chair in 2017. Rachel has given masterclasses across North America\, South Africa and in Israel and is currently Artist-in-Residence at Western University in London ON. An advocate for new Canadian music\, Rachel has commissioned and premiered works including a cello concerto by Kevin Lau\, solo work by Andrew Downing and chamber music by Abigail Richardson-Schulte\, William Rowson\, John Burge and Omar Daniel. Rachel can be heard on the Naxos\, Naxos Canadian Classics\, Centrediscs\, Dalia Classics and EnT-T record labels\, and released a critically acclaimed album of the Bach Suites on Pipistrelle in March 2014\, recorded on the 1696 Bonjour Stradivarius Cello from the Canada Council for the Arts Musical Instrument Bank. Winner in the 2015 Canada Council Instrument Bank competition\, Rachel is grateful to have been awarded the 1730 Newland Joannes Franciscus Celoniatus cello until August 2018.
URL:https://on.cmccanada.org/event/cmc-presents-rachel-mercer/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents,Ontario
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180124T173000
DTEND;TZID=America/Toronto:20180124T190000
DTSTAMP:20260501T051113
CREATED:20171204T170956Z
LAST-MODIFIED:20171204T170956Z
UID:169-1516815000-1516820400@on.cmccanada.org
SUMMARY:CMC Presents: ICOT + Michael Bridge
DESCRIPTION:Iranian-Canadian Composers of Toronto (ICOT) present ten new commissions featuring virtuoso accordion player Michael Bridge. \nThese works were selected following a call for scores. Fifty-three submissions were received from composers across the globe with a variety of styles and compositional aesthetics. At the outset the jury intended to select three pieces\, however due to the high quality of submissions\, seven scores were chosen. The selected composers and compositions are: \n\nAsterism – Gilberto dos Santos Agostinho Filho (Germany)\nDaramad – Ali Balighi (Iran)\nMosafer – Nastaran Pouladzadeh (Canada)\nStudy No. 2 – Alan Ahued Naime (Mexico)\nTrazo – Edson Zampronha (Spain)\nutrolig varmt vann – Tze Yeung Ho (Norway) CMC Associate Composer\nVirgules – Christina Athinodorou (Cyprus)\n\nThese pieces will be performed along with Three Reflections on Empathy\, a composition by ICOT member Pouya Hamidi.
URL:https://on.cmccanada.org/event/2018-01-24/
LOCATION:Chalmers Performance Space\, 20 St. Joseph Street\, Toronto\, ON\, M4Y 1J9\, Canada
CATEGORIES:CMC Presents,Ontario
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ORGANIZER;CN="CMC Ontario":MAILTO:joseph.glaser@cmccanada.org
GEO:43.6659985;-79.386411
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END:VEVENT
END:VCALENDAR